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Totalitarian Governments

Totalitarian Governments

1984 of George Orwell, a vision of the totalitarian governments Giordana Maria Bonifcio Medeiros Summary: This article aims at to demonstrate that workmanship 1984 of George Orwell, a workmanship of great academic popularity, is extremely on to a critical one to the totalitaristas governments that if spread the time of its creation, in 1949. A rise of a stalinista Soviet Union in counterpoint with the idealized socialist government, that visualized the author, was one of germens for the birth of this workmanship intensely politics, but nor therefore little art. The author in diverse occasions cites the measures adopted in the totalitarian governments that had fomented the ascension of the Big Brother to the power. The personages are always if treating for the nickname ' ' camarada' ' , as they made the Communists to the time, a test of that the objective of the author was not another one, seno to criticize the way of government that if it installed and if expanded for diverse parts of the world. The question of the method of clipping of the individual freedoms well is detached by the fact of all to be watched constantly for ' ' teletelas' ' , as well as, per item of the members of the population.

Without any rights, the men continuously are manipulated to the bel pleasure of its governing. He is not for less than ' ' ministry of verdade' ' it dealt with the constructed lies to deceive the people and ' ' ministry of amor' ' it was the responsible one for the desumanas tortures inflicted to who tried to insurgir itself against the system, one politics of decoys and torture is as soon as George Orwell represented the totalitaristas end of regimes. It is what we intend to approach in this research. In 1949, four years after the ending of the Second Great War, observed it bipolarization of the world and the beginning of the cold War enters the two world-wide powers in ascension: United States of America and Unio of the Soviet Socialist Republics, the old Ussr.

The Fall

The Fall

Today, the State is the ruling class, is god. Joquim, by having if placed against god, is condemned and died. In modernity, this history would not make sensible if it was different, therefore as the reproduction of the conditions of production in a capitalist society depends on the domain exerted for a classroom on another one (s), is necessary that the submissos individuals effectively are restrained when they are rebelled. This inversion of values in the modern world, on to the personages of the high and low classrooms, was observed by Kothe: In the modern classics, the personages of high social extration more tend each time if to show as low, while, to be a hero raised without being trivial, each time more the great personage tends to be of social extration baixa.' ' (KOTHE, 1987, PAG 66) In the stretch to follow, we have the symbology of the fall that is, in the deep one, rise. The death of the personage means its imortalizao. Before the cold of the death, the hero asks for to the friend who gives to it only plus a shot: A night had set on fire its house and it to it had given to four shots Of the way of the street saw the bullets Arriving slowly the assassins had run away in an car Who I never eat they if he found Joquim he cambaleou wounded some instants and he finished fallen in the curb the friend who came to help it, spoke: ' ' He gives to me only plus a shot please Looks at pra me, does not have nothing sadder That a man dying of frio' ' The bullets that cinematographically if approach in slow camera and the slow one to cambalear of the wounded hero, intensify the tragic scene of its death, so that they excite in us the commiseration, through which expurgamos our emotions (katharsis).